2011-Current

click image to zoom

Convergence of Line began during a time of chaos in my life when I was searching for a sense of control. The idea was simple: create a structure where my mind could wander, using only basic elements of art—composition, shape, line, form, and negative space. At first, the line work was more improvisational, pushing me to refine my fine motor skills and create art that wasn’t driven by intentional meaning or emotion. But as the series evolved, meaning and stories began to emerge.

I found that my unplanned lines formed patterns and unintentionally explored organic forms on both microscopic and macroscopic levels—like viewing landscapes from above or the cross sections of a tree. These shapes, whether balanced or broken, became a reflection of my inner world. They told the stories of people and events through the spaces between the paint and ink. Each line served as a way for me to process and reflect on moments in my life.

As I continued, I became curious about how we assign emotion and meaning to shapes, and how it feels when they do or don’t interact with each other.

What stories emerge when we read between the lines?